Thanks to Marcin Ignac for pointing out that the below project grid is not working properly on OS X Safari. The long horizontal line of items is not intended ;). Please use another browser to view this until i get it fixed in the next 1-2 days. Happy Holidays!
Dither for After Effects

Intended for the fine connoisseurs of 1-bit dithering, this new stylize plugin for Adobe After Effects adds that classic grit to your mograph masterpiece in more ways than a Photoshop action could ever do for that image sequence you just exported. This plugin was designed with Jake Sargeant for his adventures in lo-fi. In addition to an overwhelming number of error-diffusion and pattern dither algorithms, the plugin also features an interactive pattern designer box that allows you to load and save an 8x8 pixel threshold mask. Help us test the beta. More features to come in future versions.

Teaching Openframeworks

Video guiding the Processing coder through the mental transformation needed to start using OpenFrameworks to create equivalent work. This class was taught with Syed Reza Ali. We will post more episodes every time we teach this GAFFTA class. So far, I have shaved my face with a straight razor, did a claymation about pointers, and took apart a McDonalds cheeseburger. I hope it makes learning programming and its dry concepts a bit wetter. Special thanks to oooShiny for advising on the materials and teaching approach.

Critical Path

I worked with an "indie" hollywood studio in collaboration with Jody Zellen in designing and building a web-based UI to present their interview videos of the top industry game designers on HTML5 canvas and video elements. I used ProcessingJS. The interface featured a line-network of tags shared between the videos. Each video was a sprite that had its own transformation matrix. Triangle collision was also employed in order to do mouse picking with non-rectangular 2D polygons. The javascript code was extremely object oriented, using static "class members" in addition to instance scoped members. The company, Artifact Studios, ran way over their revision allowance, and continued to expect work out of me long after the contract's duration had ended. And that was the last time I worked in Hollywood.